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August 2, 2002

Edition

Delegate shares worship through art

Looking very much like Jesus and his apostles in Leonardo DaVinci's Last Supper, members of a panel discussion on congregational transformation became symbols to artist Martha Cross. The First United Methodist Church, Ft. Pierce, member illustrated her experience at the 2002 Florida Annual Conference Event. "The people on stage represent the rest of us," Cross said, adding the panel members were apostolic in the way they sought to discern Jesus' will for the future of the church.
Cross' illustration of Bishop Jonathon D. Keaton, who spoke at the Service of Repentance and Reconciliation.
By John M. De Marco

FT. PIERCE — A crucial element of each year’s Florida Annual Conference Event is worship, but for many it can become lost in the stream of reports, proclamations and official business that spans the massive gathering of United Methodists. For Martha Cross, worship is the highlight of the week and the experience she longs to share with others.

Cross, a three-time Florida Annual Conference delegate, is a life-long artist who teaches high school students and owns a screen printing business with her husband, Wayne. She is also the program director at First United Methodist Church of Ft. Pierce. For the past two years she has lugged her sketchpad with her to the conference event. The result has been a unique illustration of her worship experiences, temporarily displayed in the church’s fellowship hall for others to appreciate.

“I love listening, and I love language and the words that people use to express their faith and share the gospel,” Cross told the “Review.” “I am a visually oriented person, so I usually take notes because I need to have something written down. My sketches are usually a combination of illustrations and note taking.”

Cross said she regularly uses her Sunday worship bulletin to sketch and jot down ideas in order to remind herself of what she experienced during worship.

Cross was busy sketching during the 2002 Florida Annual Conference Event’s Service of Reconciliation, which featured Bishop Jonathon D. Keaton of the East Ohio Area of the United Methodist Church. As she drew the bishop she jotted in large letters the phrase, “Joy comes in the morning,” which Keaton reiterated several times during his message. The sketch also includes some key words regarding the history of Methodism in relation to American slavery.

“I’ve been a United Methodist my whole life, and I’ve never been confronted with…the things that were brought before me,” she said. “He [Keaton] would rise to such an emotional level, almost a bewilderment, then he would repeat, ‘But joy comes in the morning.’ ”

When Cross began drawing the seven-person panel that led delegates in a discussion on church transformation, she said she didn’t have any preconceived ideas about what to draw. When she pulled the drawings out more than a month later to talk about them, she was struck by how much the panel looks like Leonardo DaVinci’s painting of the Last Supper.

“I was really taken,” she said. “That whole discussion and the notes that are around there—that’s very telling. It was a discussion of where we’ll go from here. And Jesus [in the Last Supper] was telling his disciples he would no longer be with them and where he goes from there depends largely on them.”

Sometimes, Cross would draw what was projected on the large video screen in the main auditorium at The Lakeland Center. She sketched the video display of Dr. Howard Snyder and a lamb; Snyder spoke during his evening message of Jesus as the unblemished lamb who was without sin.

One of her favorite images was a slide projected during the presentation on the Bishop Cornelius L. and Dorothye Henderson Secondary School in Muxungue, Mozambique, Africa. The image is of the Rev. David Beers standing behind a hand-made wooden altar under a cashew tree in Africa.

“Here we were worshipping in this huge building,” Cross said. “And this hand-made altar was just as powerful where it was as the lavish altar we made.”

Cross earned a bachelor’s degree in visual arts at The University of South Florida. She said she did not use her artistic gifts in the church a great deal, however, until the congregation’s centennial celebration 10 years ago when each ministry group designed its own processional banner. Cross designed the choir’s banner and has made several more since then.

“It’s a way I feel I can express what the Word of God is saying to me,” Cross said. “The church really has given me permission to explore my way of expressing my faith. I think it’s brought—not just for me, I hope—another dimension for people who learn differently. There are lots of different ways of expressing the things we feel and know.”


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© 2002 Florida United Methodist Review Online